Werewolf Legends from Around the World | Historic Mysteries


werewolves in literature

Vampire vs Werewolf comparison. Werewolves and vampires are both mythical creatures who kill humans but there are important differences between the two. Werewolves are mortal and age just like humans while vampires don't age and are immortal (except for some things that can kill them lik. Metamorphoses Of The Werewolf: A Literary Study from Antiquity Through the Renaissance [Leslie A. Sconduto] on bodreviews-i.ga *FREE* shipping on qualifying offers. The mythical werewolf is known for its sudden transformation under the full moon, but the creature also 5/5(2). Types of werewolves in literature. Werewolves are generally referred to as undead. Despite uncertainty as to whether they truly should be categorized along with Zombies and Vampires the consensus seems to be "they're big and scary, they come from Überwald, and if you stab them with a sword they don.

List of werewolf fiction - Wikipedia

Werewolves in literature of werewolves in literature. Community Showcase More. Follow TV Tropes. You need to login to do this. Get Known if you don't have an account. In the children's book series Alfie the Werewolfthe main character becomes a werewolf because it runs in his family, but skips a generation his grandfather is also a werewolf, werewolves in literature, but his parents are not.

They can however turn other people into werewolves by biting them, and the 13th book introduces special belts which can temporarily turn people into werewolves. Werewolves in these books werewolves in literature both walk on four legs like a normal wolf or on two like a Wolf Man.

They are not bloodthirsty monsters but most of the time retain their human minds and ability to speak, although sometimes they can get so-called werewolf hunger, which they can solve by eating meat. While young werewolves only werewolves in literature during the full moon, older werewolves like Alfie's grandfather can stay in wolf form all the time.

Almost Night has a pack of werewolves. They are capable of turning into beast man variety, though they can run on all fours. They are strong enough to carry someone on their back through a forest and rip a vampire to pieces.

They are also much better swimmers than humans. Enhanced senses are retained in human form. Silver is apparently not necessary to kill them, since one died after being impaled on a large rock. Unlike vampires, they are not animated by Black Magicwerewolves in literature thus are not inherently evil. Laurell K. Hamilton's Anita Blake: Vampire Hunter.

The series includes some werewolves, including one of Anita's Love InterestsRichard. In her world, there's a vaccine for werewolves in literature infection; Richard caught Lycanthropy from a bad batch of the serum.

Anita herself is currently a carrier which should be impossible for multiple strains which should also be impossible of the virus, werewolves in literature.

The books also contain: wereleopards, werelions, weretigers including blue, red and black tigers in the recent booksat least 3 weredogs their abilities are inherited not infectionweresnakes at lest 2 species cobra and anacondaswanmen some are cursed others inherit their abilities like the weredogswererats, werebears, werehyenas and a lamia which is an immortal shapeshifter.

Lastly there is Chimera, a pan-were than can shape shift in to six animal forms each with a different crazy personality. And then she has sex with all of them, werewolves in literature.

John Hodgman's The Areas of My Expertise includes handy lycanthropic transformation timetables, showing how and when different kinds of werewolves transform, and how to stop them, during each phase of the moon. One of the first forms picked up by the Animorphs is wolves, werewolves in literature, with some obligatory werewolf jokes. In Tom Holt 's Barkingwerewolves in literature, theriomorphy is transmitted in the classic style, and werewolves gain nigh-invulnerability in both human and wolf forms, including a massively extended lifespan, and most of the werewolf characters work for the same law firm, Ferris and Loop a Meaningful Namereferencing "Fenris" and "Lupine".

They are rivals of the vampire firm Crosswoods. The Bartimaeus Trilogy heavily implies, and then outright states, that the police of the oppressive magical regime that rules the Alternate Universe British Empire are werewolves. Werewolves are the result of exposing humans to transformation spells invented in ancient times.

They can transform at will from human form to a giant wolf and anything in between. They are stronger, larger and hardier than humans, but extremely vulnerable to silver and specialised forms of magic, and seem to be fairly simple-minded. Their human forms are noticeably tall and bulky, and they seem to be predominately male. It is apparently possible to be a werewolf and a magician, but only one example has been seen.

They can be killed by mundane means, however, werewolves in literature. One dies from leaping out of a high-up window. In Marie de France's lai Bisclavret from the 12th century, Bisclavret for unknown reasons must transform into a wolf every week. His wife steals his clothing, werewolves in literature, without which he can't change back, but one day, the king his friend goes hunting in the woods. Bisclavret jumps at him and paws his foot like a petitioner, and the king, impressed, grants the wolf his life.

Then Bisclavret goes with the hunting party and stays at court. Everyone is so impressed by his nobility and gentleness that when his wife and her new husband appear at court, and he attacks them, the king concludes that they must have wronged the wolf and imprisons them until they confess. With his clothing back, Bisclavret can return to human form. Similarly, in a lai featuring King ArthurMelionthe wife actively transforms the husband into a wolf, but he again takes refuge in court and attacks his wife there, leading to his transformation back.

The Black Company mentions a few, but in action participates only Forvalaka — were-leopards. Undead were-leopards. Vicious, superhumanly fast and almost unkillable. The werewolves in Blood and Chocolate are of the genetic variety, and can only breed with other werewolves, werewolves in literature.

They turn into something like a dire werewolves in literature, but Vivian notes they had only adopted wolf as a convenient term, and are truly known as werewolves in literature Loup-Garoux. They can transform at will, but transform involuntarily at the full moon, and are weak to werewolves in literature in any form. They keep their minds when transformed, however, werewolves in literature, and are expressly forbidden to be seen by or kill humans, in order to maintain the Masquerade.

They live in packs, with males fighting to be alpha, and females fighting to be the alpha's mate. Like real wolves, werewolves in literature, they are an extended family group who live on a well-defined territory, in this case the family farm. Their canid form resembles a large mixed-breed dog more than a pure wolf. They can transform at will, and tend to wear minimal clothing which can be shucked off at the drop of a hat any hatand have thus gained a reputation among neighbors a secret nudists.

The book does an excellent job of giving them many psychological traits which match canid behavior, and the series's regular protagonists at times find it quite frustrating trying to get them to even temporarily give up their canid behaviors, werewolves in literature, even when their lives depend on it.

They don't transmit lycanthropy through bites either. Henry explains to Vicki that humans turning into werewolves is a myth; if a werewolf bites a person, werewolves in literature bleed, but they won't turn into a werewolf themselves. Blood Red has two different types of werewolf show up, and refers to two others. All of them are apparently vulnerable to silver and wolfsbane.

Sorcerers can use Blood Magic and a wolfskin belt to become werewolves. They have superhuman strength and a hybrid man-wolf form, plus enhanced healing. They have to cast the shifter spell each time they take wolf form, but apparently can return to human form without another Human Sacrifice. Members of the werewolf bloodlines gain the ability to turn into wolves after they're weaned.

They retain the same body mass whether wolf or human youngsters turn into wolf cubstheir human intellect, and normal strength. If they spend too long in wolf form, they can lose themselves in the wolf's instincts.

Their change is completely voluntary, and can take place at any time as long as the werewolf isn't in sunlight. They have supernatural healing which includes healing diseasesbut only when in wolf form. Their bite does not create other werewolves. It's possible for someone to be either infected or cursed with lycanthropy. We don't see an example of either on-page, but it's implied that they almost always "go bad" as the human mind loses itself in the wolf instincts as the shift occurs.

She tries to turn him into a dog, but magic in Bordertown is unreliable, werewolves in literature, and he becomes a wolf man, werewolves in literature, with hair, wolf ears, and a snout that makes it impossible for him to speak.

Apparently it is not contagious, as it bites Caspian without transmitting its condition to him. Hodgell's Chronicles of the Kencyrath series, werewolves in literature, the Wolvers are inverse werewolves; they are wolves that can transform into human form. Their young cannot achieve the transformation until they reach a certain point in their development. As humans, they are still quite hairy. Each side has a long-standing feud that manifests in their chosen career paths.

Both do law-enforcement, but the werewolves work for the Sheriff's Department, while the wolfmen are regular cops. You could only ever turn into one type of beast, which may or may not be practical were-diplodocus, anybody? And when you did, you were naked. While they're generally attractive in human form, they're secretive, brutally pragmatic, rather feral, and arrogant as hell, werewolves in literature.

Despite this, they're basically on the side of good after the first book. Stephen King 's Cycle of the Werewolf has a more traditional, dire wolf, changes-with-the-moon type, werewolves in literature.

Oddly enough the victim has no idea how he started involuntarily shapeshifting, and initially not even that it is happening. Even if he never realized it, readers probably picked it up as a red flag anyway. Dan Shamble, Zombie P. Both varieties' conditions are transmissible to normal humans via biting or scratching, including the trivial sorts suffered in accidents or romantic foreplay; despite this similarity, the third novel in the series is mainly about the rivalry between the two types over who the "real" werewolves are.

The Arcadian and Katagarian wolf branches of the Were Hunters in The Dark Hunters series can change between wolf and human easily and painlessly when conscious and alert. The Arcadians are humans who turn in to an animal and the Katagarians are animals who can take a human form. If werewolves in literature badly or shocked with electricity werewolves in literature lose control of their shifting.

Electricity is also used to trap a Were Hunter in one form permanently. MaryJanice Davidson's werewolves are faster and stronger in their human form and can turn into both Man Wolf and Dire Wolf at will although they have to during the full moon.

In Devon Monk 's Dead IronCedar, under a cursechanges by the full moon and loses his mind, requiring him to chain himself.

He pays quite dearly for a collar that lets him keep his right mind. Later we learn his brother Wil is still alive and also under a curse, werewolves in literature while Cedar only changes during the full moon, Wil is permanently a wolf, and fortunately, can control himself all the time when not actively bespelled by LeFel.

In the Department 19 series, Frankenstein's Monsterof all things, becomes a werewolf after getting attacked by one at the end of the first novel, werewolves in literature. Angua can transform into a wolf at willbut is unable to prevent herself from changing during a full moon, werewolves in literature. Pratchett delves much deeper into the psychology of the werewolf than most writers, describing what the world looks like to a creature that uses smell as its primary sense, and also developing a cultural backstory for the werewolves, werewolves in literature, such as the term "yennork" being used to describe a werewolf that cannot change shape and is therefore trapped in the body of either a wolf or a human but is born to werewolf parents.

The "smell as its primary sense" has to be reinterpreted by the werewolf when in human form; it is presented as synesthesia, with scent data being reinterpreted in terms of colours and sounds.


Vampire vs Werewolf - Difference and Comparison | Diffen


werewolves in literature


True Blood (–) - Werewolves are first mentioned in the first season and appear in the third. Unlike most myths, werewolves in True Blood are simply shapeshifters with the ability to transform into wolves at will although they are forced to change on nights of the full moon. It appears that werewolves are in control when in wolf form. Vampire vs Werewolf comparison. Werewolves and vampires are both mythical creatures who kill humans but there are important differences between the two. Werewolves are mortal and age just like humans while vampires don't age and are immortal (except for some things that can kill them lik. Types of werewolves in literature. Werewolves are generally referred to as undead. Despite uncertainty as to whether they truly should be categorized along with Zombies and Vampires the consensus seems to be "they're big and scary, they come from Überwald, and if you stab them with a sword they don.